Moving toward the Body
In Sculpture classes I learned a variety of ways to create. I cast in bronze, made Site Specific Art Installations, and was encouraged to focus on conceptual ideas. I also took Ceramics classes where I was lucky enought to be exposed to the idea that a potter could spend a lifetime making teapots over and over again for years without tiring of the process. I thought about what shapes inspire me; what could possibly be my "Teapot" to explore in different ways over time.
I have always been intrigued by the female form; for it's beauty and strength, for it's utilization in objectifying women but also empowering them. I am fascinated by the duality created by a woman who longs to be noticed, but who wishes to hide at the same time. There is intrigue in how one wants to be seen and considered, and how one really is seen by others. I am not interested in realistic depictions. The abstract shape gives enough information to denote "female" while the outer surface choices convey the mood.
The series I am working on is called Personal Armor. It is based on the idea that we often try to protect ourselves, even when we are not aware it.
In Sculpture classes I learned a variety of ways to create. I cast in bronze, made Site Specific Art Installations, and was encouraged to focus on conceptual ideas. I also took Ceramics classes where I was lucky enought to be exposed to the idea that a potter could spend a lifetime making teapots over and over again for years without tiring of the process. I thought about what shapes inspire me; what could possibly be my "Teapot" to explore in different ways over time.
I have always been intrigued by the female form; for it's beauty and strength, for it's utilization in objectifying women but also empowering them. I am fascinated by the duality created by a woman who longs to be noticed, but who wishes to hide at the same time. There is intrigue in how one wants to be seen and considered, and how one really is seen by others. I am not interested in realistic depictions. The abstract shape gives enough information to denote "female" while the outer surface choices convey the mood.
The series I am working on is called Personal Armor. It is based on the idea that we often try to protect ourselves, even when we are not aware it.